Opens on Mar 1 until Mar 23
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Angharad Evans
To & Fro :- An instrument for mapping the cycle of perceived progress
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Wood , Metal , String , Paper, Perspex
To & Fro (An instrument for mapping the cycle of perceived progress)
To & Fro explores the dynamic relationship between stability and change. The suspended pendulum-like structure embodies a tension between order and freedom, oscillating between motion and rest, capturing the constant interplay of cycles and rhythms predicted & unpredicted.
The suspended form reflects a sense progress and regress —suggesting that growth is not a linear trajectory, but rather an ongoing state of flux , inviting reflection on the cyclical nature of perceived advancement, where each swing embodies momentum back/ forth combined with inevitable pauses , reminding us that progress doesn’t run a straightforward linear path.
To & Fro explores the dynamic relationship between stability and change. The suspended pendulum-like structure embodies a tension between order and freedom, oscillating between motion and rest, capturing the constant interplay of cycles and rhythms predicted & unpredicted.
The suspended form reflects a sense progress and regress —suggesting that growth is not a linear trajectory, but rather an ongoing state of flux , inviting reflection on the cyclical nature of perceived advancement, where each swing embodies momentum back/ forth combined with inevitable pauses , reminding us that progress doesn’t run a straightforward linear path.
Angharad Evans studied Masters Fine Art Leeds UK , now based in Sydney she is Re- emerging her artistic practice, continuing to explore materiality and process. Her work reflects upon the nuances, connections, contradictions & abstractions of societal observations, with reference to personal experience and lived landscapes. Her diverse practice encompasses sculpture, installation, drawing, painting, printmaking, fibre , photography and text.
Artist profile
Instagram | @a.n.e_creative
